2009 Cham, K.L., ‘The Art of Complex Systems Science’ Embracing Complexity In Design, Routledge. Book chapter.
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2008 Cham, K.L., ‘Reality Jamming; Beyond Complex Causality in Mediated Systems’; ISEA 08, Singapore. Conference paper.
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2007 Cham, K.L., ‘Aesthetics of Interactive Art’, ‘Digital Visual Culture. Theory and Practice’, CHArt Yearbook 2007 Computers & The History of Art, Vol 3. Journal paper.
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2007 Cham, K.L., ‘Reconstruction Theory, Designing the Space of Possibility in Complex Media’; in Special Issue: Performance & Play: Technologies of presence in performance, gaming & experience design, International Journal of Performance Arts & Digital Media, Vol 2&3: 3, Lizbeth Goodman, Deeverill, Esther MacCallum-Stewart & Alec Robertson (eds), Intellect www.atypon-link.com.
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2007 Cham, K.L. and Johnson, J.H., ‘Complexity Theory; a Science of Cultural Systems ?’, ‘M/C Journal’, Complex, 10: 3, J. Cahir and S. James (eds.), journal.media-culture.org. Journal paper.
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2006 Cham, K.L., ‘Aesthetics of Interactive Art’, Visual Culture,Theory and Practice, 22nd Annual Conference, Birkbeck College, London, 9–10 Nov www.chart.ac.uk. Conference paper.
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2005 Cham, K.L., Hirst, A.J. & Johnson J; ‘Robots, Art & Complexity Science, Art, Complexity & Technology Conference’, Torino; Conference Paper.
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1998 ‘Further Communications Inevitable’, (F) Showreel, Skin 2 CD-Rom. Collaborative combined media & live art work portfolio 1987–97.
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1997 ‘Am I Am Therefore I Am I’, ‘Technocultures, Art, Science & The New Rennaissance’, CD-Rom, Liverpool John Moores University; Commissioned interactive artwork alongside seven artists and five writers including Sean Cubbit.
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1997 ‘The Pledge of Fidelity’, ‘Running Out of Time; An Anthology of Works, 1984–98’, Hull Time Based Arts; publication of commissioned video work in historical anthology.
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1996 ‘An Orange In My Eye’, (F) Toy Box CD-Rom, Video Positive ’95, Tate Gallery, Liverpool, England; publication of commissioned collaborative interactive artwork alongside twenty others.
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1994 ‘Untitled’, What She Wants, Verso Publication, ed. N.Salaman; commissioned photographic installation published as part of touring exhibition catalogue.
Research Centres
"We have consolidated our research strengths through the creation of centres of research excellence and are committed to providing a supportive environment."
Professor Penny Sparke, Kingston University’s Pro Vice-Chancellor for Research and Enterprise
Professor Penny Sparke, Kingston University’s Pro Vice-Chancellor for Research and Enterprise
Research Degrees
… a flexible approach to carrying out research… allowing you to study on a full-time basis or to combine your research studies with employment…
Research Projects
We have a growing number of active international collaborations, and our expanding community of home and international research students contributes significantly to our success.
Research Outputs
RAE Units of Assessment 2008
The Government’s Research Assessment Exercise (RAE) rates the quality of all research in UK universities. The latest assessment (2008) rated 70% of Kingston University’s research submissions as excellent at international level. This assessment has meant the University’s research grant from the Higher Education Funding Body for England has nearly tripled this year.
Under the new rating system, 12 of the 18 units we submitted achieved between five and 15% at 4*, denoting world-leading research. A full list of the 2008 ratings is on the RAE website.
Strengths flagged for individual units of assessment include:
— Computer Science and Informatics4 (23) – developing staff; collaboration with industry and users and Art and Design11 (63) – indications of sustainability and esteem.
Research in the Computing and Informatics category was well-rated in the recent Research Assessment Exercise. Overall, 80% of research activity was judged to be at an international level or higher with 5% judged world leading. In fact compared with other HE institutions, the Faculty's Computing and Informatics research has made one of the most substantial jumps in position in RAE2008 ranking tables. In particular, CISM is recognised as a world-leading player in research in intelligent visual surveillance. Our Digital Imaging Research Centre, a centre of excellence for research, has nearly twenty researchers working including academics, visiting professors and researchers, making it one of the largest centres in this topic worldwide.
During the past few years, the University has also supervised many research degree students undertaking projects such as curating contemporary design; film and television screen design; e-commerce; innovation and entrepreneurship; creative industries and the creative economy.
Under the new rating system, 12 of the 18 units we submitted achieved between five and 15% at 4*, denoting world-leading research. A full list of the 2008 ratings is on the RAE website.
Strengths flagged for individual units of assessment include:
— Computer Science and Informatics4 (23) – developing staff; collaboration with industry and users and Art and Design11 (63) – indications of sustainability and esteem.
Research in the Computing and Informatics category was well-rated in the recent Research Assessment Exercise. Overall, 80% of research activity was judged to be at an international level or higher with 5% judged world leading. In fact compared with other HE institutions, the Faculty's Computing and Informatics research has made one of the most substantial jumps in position in RAE2008 ranking tables. In particular, CISM is recognised as a world-leading player in research in intelligent visual surveillance. Our Digital Imaging Research Centre, a centre of excellence for research, has nearly twenty researchers working including academics, visiting professors and researchers, making it one of the largest centres in this topic worldwide.
During the past few years, the University has also supervised many research degree students undertaking projects such as curating contemporary design; film and television screen design; e-commerce; innovation and entrepreneurship; creative industries and the creative economy.